Henry Timrod

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Henry Timrod
Henry Timrod in 1865
Born(1828-12-08)December 8, 1828
DiedOctober 7, 1867(1867-10-07) (aged 38)
Resting placeTrinity Episcopal Church
EducationUniversity of Georgia
SpouseKate Goodwin

Henry Timrod (December 8, 1828 – October 7, 1867) was an American poet, often called the "Poet of the Confederacy".[1]


Early life[edit]

Timrod was born on December 8, 1828, in Charleston, South Carolina, to a family of German descent. His grandfather Heinrich Dimroth emigrated to the United States in 1765 and anglicized his name.[2] His father, William Henry Timrod, was an officer in the Seminole Wars and a poet himself. The elder Timrod died from tuberculosis on July 28, 1838, in Charleston,[3] at the age of 44, leaving behind his wife of 25 years, Thyrza Prince Timrod, and their four children, the eldest of which was Adaline Rebecca, 14 years;[3] Henry was nine.[4] A few years later, their home burned down, leaving the family impoverished.[2]

He attended a classical school where he befriended Paul Hamilton Hayne, his lifelong friend and fellow poet who would edit Timrod's work after he died.[1] He then studied at the University of Georgia beginning in 1847 with the help of a financial benefactor.[2] He was soon forced by illness to end his formal studies, however, and returned to Charleston. He took a position with a lawyer and planned to begin a law practice. From 1848 to 1853, he submitted a number of poems to the Southern Literary Messenger under the pen name Aglaus, where he attracted some attention for his abilities. He left his legal studies by December 1850, calling it "distasteful",[4] and focused more on writing and tutoring. He was a member of Charleston's literati, and with John Dickson Bruns and Basil Lanneau Gildersleeve, could often be found in the company of their leader, William Gilmore Simms, whom they referred to as "Father Abbot," from one of his novels.[3]


The school where Henry Timrod taught is still preserved in Timrod Park, Florence, South Carolina.

In 1856, he accepted a posting as a teacher at the plantation of Colonel William Henry Cannon in the area that would later become Florence, South Carolina. Cannon had a single-room school building built in 1858[3] to provide for the education of the plantation children. The building measures "only about twelve by fifteen feet in size."[3] Among his students was the young lady who would later become his bride and the object of a number of his poems – the "fair Saxon" Kate Goodwin. While teaching and tutoring, he continued also to publish his poems in literary magazines. In 1860, he published a small book, which, although a commercial failure, increased his fame. The best-known poem from the book was "A Vision of Poesy".

Civil War period[edit]

With the outbreak of American Civil War, in a state of fervent patriotism, Timrod returned to Charleston to begin publishing his war poems, which drew many young men to enlist in the service of the Confederacy. His first poem of this period is "Ethnogenesis", written in February, 1861, during the meeting of the first Confederate Congress at Montgomery, Alabama. Part of the poem was read aloud at this meeting:

Hath not the morning dawned with added light?
And shall not evening call another star
Out of the infinite regions of the night
To mark this day in Heaven? At last we are
A nation among nations. And the world
Shall soon behold in many a distant port
Another flag unfurled!

"A Cry to Arms", "Carolina" and "The Cotton Boll" are other famous examples of his war poetry. He was a frequent contributor to Russell's Magazine and to The Southern Literary Messenger.[citation needed]

During this period, Timrod’s poetry received inspiration from Sophie Augusta Sosnowski, who taught German and music at the Barhamville Institute and was the daughter of Sophie Wentz Sosnowski. Even after Sosnowski married a Confederate officer in 1863 and Timrod married Kate, the two couples maintained a cordial relationship.[5]

On March 1, 1862, Timrod enlisted into the military as a private in Company B, 20th South Carolina Regiment, and was detailed for special duty as a clerk at regimental headquarters,[3] but his tuberculosis prevented much service, and he was sent home. After the bloody Battle of Shiloh, he tried again to live the camp life as a western war correspondent for the Charleston Mercury, but this too was short lived as he was not strong enough for the rugged task.

He returned from the front and settled in Columbia, South Carolina, to become associate editor of the South Carolinian, a daily newspaper. Throughout 1864 he wrote many articles for the paper.[3] In February 1864 he married his beloved Katie, and they soon had a son, Willie, born on Christmas Eve.

This happy period in his life was short-lived. General Sherman's troops invaded Columbia on February 17, 1865, one year and one day after his marriage. Timrod and his colleague Julian Selby printed the last issues of the South Carolinian as shells were falling nearby.[6] Due to the vigor of his editorials, he was forced into hiding, his home was burned,[3] and the newspaper office was destroyed.


The aftermath of war brought his family poverty and, to him and his wife, increasing illness. He moved his family into his sister and mother's home in Columbia.[3] Then, his son Willie died on October 23, 1865. He expressed his sorrow in the poem "Our Willie":

'Twas a merry Christmas when he came,
Our little boy beneath the sod;
And brighter burned the Christmas flame,
And merrier sped the game
Because within the house there lay
A shape as tiny as a fay--
The Christmas gift of God!

He took a post as correspondent for a new newspaper based in Charleston, The Carolinian, but continued to reside in Columbia.[3] Even after several months of work, however, he was never paid, and the paper folded. In economic desperation, he submitted poems written in his strongest style to northern periodicals, but all were coldly declined. Henry continued to seek work, but continued to be disappointed. Finally, in November, 1866, he was given an assistant clerkship under Governor James L. Orr's staff member James S. Simons. This lasted less than a month, after which he was again dependent on charity and odd jobs to feed his family of women. Despite the harshly reduced circumstances, and mounting health problems, he was still able to produce highly regarded poetry. His "Memorial Ode", composed in the Spring of 1867 "was sung at Magnolia Cemetery, Charleston, in May when the graves of the southern dead were decorated."[3]

Sleep sweetly in your humble graves,
Sleep, martyrs of a fallen cause;
Though yet no marble column craves
The pilgrim here to pause.

In seeds of laurel in the earth
The blossom of your flame is blown,
And somewhere, waiting for its birth,
The shaft is in the stone!

Meanwhile, behalf the tardy years
Which keep in trust your storied tombs,
Behold! Your sisters bring their tears,
And these memorial blooms.

He finally succumbed to consumption Sunday morning, October 7, 1867, and was laid to rest in the churchyard at Trinity Episcopal Church in Columbia next to his son.[3]

Criticism and legacy[edit]

Posthumous portrait of Henry Timrod by Poindexter Page Carter (1895)

Timrod's friend and fellow poet, Paul Hamilton Hayne, posthumously edited and published The Poems of Henry Timrod, with more of Timrod's more famous poems in 1873, including his "Ode: Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery, Charleston, S.C., 1867" and "The Cotton Boll".

Later critics of Timrod's writings, including Edd Winfield Parks and Guy A. Cardwell, Jr. of the University of Georgia, Jay B. Hubbell of Vanderbilt University and Christina Murphy, who completed a Ph.D. dissertation on Timrod at the University of Connecticut, have asserted that Timrod was one of the most important regional poets of 19th-century America and one of the most important Southern poets.[citation needed] In terms of achievement, Timrod is often compared to Sidney Lanier and John Greenleaf Whittier as poets who achieved significant stature by combining lyricism with a poetic capacity for nationalism.[citation needed]

Today, Timrod's poetry is included in most of the historical anthologies of American poetry, and he is regarded as a significant—though secondary—figure in 19th-century American literature.[2] From Alfred, Lord Tennyson, allegedly, comes the appellation of Timrod as "the poet laureate of the South"--though that claim comes from a review published years after Tennyson's death.[7]

In 1901, a monument with a bronze bust of Timrod was dedicated in Charleston. The state's General Assembly passed a resolution in 1911 instituting the verses of his poem "Carolina" as the lyrics of the official state anthem.

In September 2006, an article for The New York Times noted similarities between Bob Dylan's lyrics on the album Modern Times and the poetry of Timrod. A wider debate developed in The Times as to the nature of "borrowing" within the folk tradition and in literature.[8][9][10]

See also[edit]

  • Ode: Sung on the Occasion of Decorating the Graves of the Confederate Dead at Magnolia Cemetery, Charleston, S.C., 1867
  • Cisco, Walter Brian, Henry Timrod: A Biography, Fairleigh Dickinson University Press, 2004, ISBN 0-8386-4041-9.


  1. ^ a b Roberts, Terry (1996). "Henry Timrod". In Bain, Robert A. (ed.). Whitman's & Dickinson's Contemporaries: An Anthology of Their Verse. SIU Press. pp. 274–88. ISBN 9780809317219.
  2. ^ a b c d McNeely, Patricia G., Debra Reddin van Tuyll, and Henry H. Schulte. Knights of the Quill: Confederate Correspondents and Their Civil War Reporting. Purdue University Press, 2010: 160. ISBN 978-1-55753-566-5
  3. ^ a b c d e f g h i j k l Clare, Virginia Pettigrew. Harp of the South. Oglethorpe University Press, 1936: 26.
  4. ^ a b Cisco, Walter Brian. Henry Timrod: A Biography. Rosemont Publishing & Printing Company, 2004: 31. ISBN 0-8386-4041-9
  5. ^ Seigler, Milledge (September 1947). "Henry Timrod and Sophie Sosnowski". The Georgia Historical Quarterly. 31 (3): 171–180. JSTOR 40577067. Retrieved 19 December 2022.
  6. ^ Selby, Julian Augustus (1905). Memorabilia. Columbia, S.C.: R. L. Bryan Co. p. 101. ASIN B07DTJDLBM.
  7. ^ Henderson, Christina (2013). "A Nation of the Continual Present: Timrod, Tennyson, and the Memorialization of the Confederacy". The Southern Literary Journal. 45 (2): 19–38. doi:10.1353/slj.2013.0000. JSTOR 24389039. S2CID 153923275.
  8. ^ Rich, Motoko (2006-09-14). ""Who's This Guy Dylan Who's Borrowing Lines From Henry Timrod?"". The New York Times. Retrieved 2006-09-19.
  9. ^ Vega, Suzanne (2006-09-17). ""The Ballad of Henry Timrod". The New York Times. Retrieved 2006-09-20.
  10. ^ ""The Answer, My Friend, Is Borrowin' ... (3 Letters)". The New York Times. 2006-09-20. Retrieved 2006-09-20.

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